Using satire and humour, Naomi’s art practice investigates contemporary social issues, often in a playful, yet questioning way. History, migration, environment, and sense of place have been underlying themes in her work.  Employing both old and new technologies, recent work has explored the ideas of fate and chance, and technology gone awry, aka the glitch. As an interdisciplinary artist,  she has experimented with a diverse array of media including drawing, painting, sculpture, installation, shadow projections, photography, and video.

Her work has been selected in solo and group exhibitions throughout Australia including:

Woollahra Gallery at Redleaf, Sydney (2023), M16 Artspace, Canberra (2022), Articulate Project Space, Sydney (2022), contributor to Anne Zahalka’s Holocaust memorial work developed for Hidden at Rookwood cemetery, Sydney (Sep 2022), Hawkesbury Regional Gallery (2014), Glasshouse Regional Gallery, Port Macquarie (2013), Lewers Bequest, Penrith Regional Gallery (2013), Wollongong Art Gallery 2012, Ray Hughes Gallery, Sydney (2012); S.H Ervin Gallery, Sydney (2008), New England Regional Art Gallery (2011 and 2007); Sydney Opera House (2007), National Art Glass Gallery, Wagga Wagga (2006), Cowra Art Gallery (2004), Sydney Jewish Museum (2002); The Jewish Museum of Australia, Melbourne (2002); and Sir Hermann Black Gallery, Sydney University (2000).

She has been a finalist in the Archibald (1988), Sulman (2003), Woollahra Small Sculpture Prize (2012) and the Portia Geach Memorial Art prizes (1988, 1989, 1993, 1995 and 1996).

She holds a Masters of Fine Arts from the University of Western Sydney, (2002), a Bachelor of Visual Arts from the City Art Institute (COFA), University of NSW (1987) and a Bachelor of Arts in Anthropology and Comparative Sociology (Macquarie University, 1995).

Naomi lives with her family on Dharawal country in Coledale, NSW.